anonymous
2010-12-06 21:52:27 UTC
My List:
2. Rachmaninoff 3rd Piano Concerto - The performer must know how to build up MANY areas without reaching the piano's limit beforehand. Must maintain the dominant sound on one while playing extremely fast notes. Most importantly, it's not so easy to synch with the orchestra.
1. Gaspard De La Nuit - Scarbo - Easily the Hardest in my opinion. Ravel incorporates almost every difficult piano technique possible(simul staccato/legato, double and triple octave fast jumps crosshand-playing while playing single repeat notes and sometimes all of these are done at the same time) except for multi-elemental tasking such as scriabin etude op 42 no 5. Also the most difficult is adaptation to the dynamics or tone color, pp to ff in a second, ppp to fff in a second, etc...
The popular ones stated that I dont agree with:
moonlight sonata 3rd Movement- If you are a concert pianist, we don't even need to argue about this one. Simple patterns no big jumps, simply just fast, and the dynamics arent varying signifcantly.
Fantaisie Impromptu - yes 3 against 4 is difficult at first, but the hands remain relatively at the same place without change in major tempo or octaves.
Liszt Transcendentals- They are definitely harder than the above 2 however, it does not incorporate techniques so much as scarbo and rach.
Sorabji Opus Claviwhatever- I watched the score with the audio in many areas of this 4 hour piece and I can honestly say dissonance with a random progression has a limit then it just becomes cacophony. Sorabji's works were either unplayable (meaning not hard but impossible) or extremely dissonant to the ear in that many passages are introduced without resolve.
Chopin Etudes- Same reason as moonlight 3rd but they are a little harder.